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Export & handoff

Getting a clean bounce out of SUNO and into Logic's tempo map — plus the provenance note that matters before anything ships.

Getting a clean bounce out

Whatever export quality options SUNO offers you at your tier, grab the highest-fidelity render available — the same principle from the Moises pages applies here too: lossy sources make every downstream step (separation, generation) measurably harder. If a WAV/lossless export option exists, use it over MP3.

The handoff, step by step

  1. Bounce the render at the highest fidelity your plan allows.
  2. Bring it into Logic and establish the authoritative tempo map, downbeat, and structure — by ear if that's your preference over automatic detection. This becomes the reference everything else locks to.
  3. Note the key and BPM alongside the file, and keep the prompt/style text with it — future-you will want to regenerate a section without reverse-engineering the original prompt.
  4. Only then reach for Moises, where you specifically need a part repaired or isolated at a finer grain than SUNO or Logic can give you.

See the Combined Workflow page for the full chain laid out step by step — including a demo track built exactly this way.

If this is headed toward commercial distribution

Don't assume that separating or regenerating a SUNO export through Moises makes its AI origin undetectable, or that it changes any distributor's disclosure requirements. Detection methods are opaque and evolving — processing isn't a way to launder provenance. This only matters if a SUNO-originated track is headed toward commercial distribution; it has no bearing on internal production or demo work.

The field guides

Eight guides, one method. Roughly in the order a reader meets them: how the field got here, how to work across models, then the tools themselves.